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Enchanted Forest Gathering

June 3, 2018 By Michael Leave a Comment

OK so the weekend is fast approaching and you still don’t know what you’re going to do. Here is an 💡:
What about having a blast in California? An enchanted forest with some of the best electronic music acts in the nation. Of course, no festival can lay claim to owing music but it can be said that this festival has some great taste in artists. From Ozomatli to Beats Antique, this festival embraces a diversity of genres and styles while still cultivating each in their own form. The early morning yoga and health classes are a bonus and a welcome refresh after a long night of dancing. This festival has it all. Just a few hours north of San Francisco this event is set in, you guessed it, an Enchanted Forest with natural beauty all around.

Look no further than Northern California. You can still grab your tickets before its too late here: http://bit.ly/2JvK2N6

Info & Links

Enchanted Forest will take place at the beautiful Black Oak Ranch in Laytonville, California from June 8-10. Featuring performances from Beats Antique, Keys n Krates, Graves, Ozomatli, Dumpstaphunk and Del the Funky Homosapien w/ Amp Live, Lyrics Born, Truth, Mark Farina, Antennae, Sticky Buds, Phutureprimitive and over 100 nationally renowned acts in only three days!  Get excited.  Get your tickets. Get your groove on. See you there!

 

Links:

Important Enchanted Forest Gathering Links

Buy Tickets link: http://enchantedforestmendo.com/get-tickets/

Website: http://www.enchantedforestmendo.com/

Facebook Page: https://www.facebook.com/EnchantedForestGathering/

2018 Facebook Event Page: https://www.facebook.com/events/398780250544889/

Lineup

Filed Under: California, EARTH, EDM, Electronic, Electronica, Enchanted Forest, Experimental, Festival, Freio, FreioMusic, Funk, Genre, Glitch, Gypsy, House, Jamtronic, Lo-Fi, Minimal, North America, Techno, Trance, Trip Hop, USA Tagged With: Antique, Art Festival, beats, Buy, electronic, Enchanted, Festival, Forest, freio, Music, Music Festival, Ozomatli, tickets

Gipsy Moon – FMP 003

May 2, 2018 By Michael Morahan Leave a Comment

The Freio Music Podcast

Episode 03 - Gipsy Moon

  • Overview

  • Description

  • Links

Overview

Listen in to this intimate back stage interview with Gipsy Moon. You will hear from the band gems and jokes along the way. This extremely talented band is led by mandolin player Silas Herman on mandolin and Makenzie Page on guitar and vocals with Matt Cantor on the bass and Andrew Connley on the cello for extra flavor. In this episode, you will learn about life on the road as a touring musician and what it takes to step on stage night after night. 

Description

Listen in to this intimate backstage interview with Gipsy Moon. You will hear from the band gems and jokes along the way. This extremely talented band is led by mandolin player Silas Herman on mandolin and Makenzie Page on guitar and vocals with Matt Cantor on the bass and Andrew Connley on the cello for extra flavor. Some band members have been on stage since they were children, even before they could play an instrument while others didn't take the stage until becoming an adult. During this episode, you will hear a hilarious first concert story that is just epic! This band and its members are young and their talent will shine for years to come. Enjoy this episode of the Freio Music Podcast with Gipsy Moon!

Links

Gipsy Moon Links:

Facebook.com/GipsyMoonBand

Instagram.com/GipsyMoonBand 

 GipsyMoonBand.com

 

Listen

Full Transcription & Show Notes

Hello, my name is Silas Herman and I play the mandolin for Gipsy Moon.  My name is Matt [Cantor] and I play the bass. My name is Makenzie Page I sing, play the guitar and tenor banjo. I am Andrew Connley.

 

Where did you guys meet and how did you decide what instruments were going to be in the band?

 

Silas - Well we have been through a lot.  The arrangement of the band now is a little different than it first began.  We started a band about two years ago, and we started with a different band member then.  We have been through a couple of things But this current arrangement is what has felt the most natural and right.  As far as choosing the instruments we all have our own musical background, so we have brought them together to turn it into something

 

Matt - I think the most interesting thing… well, it's all fairly standard.  Except for the tenor banjo, it is a little different. I think the cello is probably the [instrument] that catches people’s attention the most, as being kind of different.  So I guess we could have Andrew answer why he decided to play the cello.

 

Andrew - Alright.  Before that though I met these guys at RockyGrass, the best festival in the world man, that festival changed my life.  I met Silas, and Makenzie up there and then Matt later. I used to play mandolin, and the mandolin is just a fuckin awesome instrument.  There are a lot of incredible Mandolin players out there, like Silas, he is fuckin incredible dude. It takes a lot of dedication to push yourself outside that pack.  Crooked Still I was influenced by them in a way. Someone introduced me to them. That pretty much changed the game. I was like oh, wow… You can actually do that with that instrument, that’s a cool possibility.  It is basically a big fiddle. For violins or fiddles, the opposite equivalent for that, the more for informal variation. For cello, there really isn’t a word for that. There is no reason why that is. I saw a lot of mandolin players.  There were not a lot of cello players that were pushing outside of that box. So it seemed like a really good play for life to focus on that.

 

So were you guys exposed to music from a young age?  Or what inspired you to pursue being a musician.

 

Silas - I definitely grew up around a lot of music.  My dad actually played in a band, Leftover Salmon, for over 25 years now. So he was on the road a lot of the time when I was growing up.  So I was always surrounded by acoustic sort of bluegrass music of that influence. So I really just got into it and got a lot of it in my head.  When I was around 12 or 13 years old I started taking it seriously. I started with the guitar and transferred over to the mandolin, which I am mostly playing now.  

 

Did your dad teach you to play the guitar?

 

He taught me a fair bit to begin with, definitely.  But then I tried to go outside of that musical genre to get my own sort of sound.  

 

Makenzie - I did not grow up playing music.  I found music when I was older. Ya, I just started with a friend who played.  I would borrow his guitar and sing and play with him. I just surrounded myself with people who were really awesome at it [music] and learned.

 

Andrew - Um, I played a little drums and a little guitar growing up.  It wasn’t until, you know, early teen years so that actually happened with the Mandolin when I was 16.  My family wasn't really into it but now they are. Rocky Grass, that festival, got everyone in my family playing music in some way.  My dad was a big record collector though. He had like 15,000 records when he died. He would be really happy to know that that is being carried on a little bit.  He was a big fan.

 

Andrew -  Ya, I played in the school orchestra on the bass for a long time.   It was fun but I was never really serious about it until I graduated from high school.    Then one day my friend was like “hey do you want to play bass for us at the mall?” I took my grandfather’s bass which I had had for a while but I had never ever played it because I would never practice.  I would basically just go to school and play and have fun but I never took it seriously at all. I ended up getting blood blisters from playing at the mall for an hour. It was just an interesting experience because I never realized that people could pay you for playing music.  We played at the mall and we each got $20 bucks and was like “woh, this is crazy!”. I just had so much fun and made money! So I basically started, and just did that a bunch like every day, and started making money. That is how I started doing it.

 

Was your grandfather's bass a stand-up?

 

Andrew - Ya it is the one I play.  My grandfather played music in new york.  He played Jazz for like 80 years so it has some history there.  

 

You guys have a unique sound.  You have come together with different backgrounds.  Are there any genres or artists in particular that have inspired you to pursue the music you create today.  

 

Silas - I feel like just being in Colorado, in general, you are sort of in a Mecca of a lot of amazing musicians and a lot of inspiration.  A lot of young bands and bands that are more progressed. We have a lot of friends that have been through a lot of the same cycle of growing as a band.  So we have seen that there is hope in the future and have just had a lot of inspiration from a lot of different people in that way, definitely.

 

Andrew-  I am mostly inspired by older music.  Old 50’s is what I primarily listen to at my house.  That and funk, which is kind of interesting. That was kinda my parents' music.  So I grew up with things, not necessarily a lot of disco funk, 80’s and late 70’s funk.  Like Rick James and stuff. It is kinda a weird combination. I just ended getting really into Django Reinhardt.  From that I have been listening to only really old music and funk. I like traditional Gypsy music too.

 

Makenzie - Ya I like old music too.  My favorite right now is Edith Piaf. I can't stop listening to her.

 

Andrew -  For me, musically, a lot of fiddle players.  Though when I listen, it is kinda whatever my mood is into.  It could be anywhere… From Bach, to Naughty by Nature to NOFX.  Or bluegrass. Or old-time music. A lot of old-time music. So it is across the board it is more about what I am feeling at the time.  They just help keep you going and influence you.

How are you able to highlight the individuality of a particular instrument, while at the same time maintaining a cohesive sound.

 

Makenzie - I think something that has really helped us is that we are really open-minded, as a band.  Someone will bring a song and maybe it is totally... an entirely a different direction than we are trying to go.  We just do it anyways. We are not trying to put ourselves in this whole genre, where we play this one specific music so we must stick to it.  It is like hey let’s try that, now let's go this way. Lately, we have been trying to combine songs. Where one genre and a totally different genre that are just smashed next to each other.  It’s really fun. If we do this dark eyes song, which is really gypsy, into this other song which is Calypso. We take traditional songs and totally do spins on them. We go from a Latin vibe into a Celtic tune.  So I think that is something that we have been really digging lately.

 

Andrew - So were you referring to separation and how we set each other up for solos?

 

Ya.

 

Trying to be aware of your ranges and try to not step on each other's parts as much as possible.  Actually going from a five-piece band to a four-piece band has made that way easier in a way. I mean we had some good people we played with.  Especially with cello, it is always trying to figure out where my part fits, like in a puzzle. Try to not muddy up the bass or the guitar, or tenor, or vocals.  It is a delicate range. It is always really case by case. It is not really one formula but there are definitely patterns.

Silas - We recorded our last album at silo sound (in Denver) and had Tim Carbone, of RailRoad Earth, produce it.  We have made a couple of other recordings with some friends in the mountains. Our first record we did with Dave and Enion Tiller from the band Taarka, at their house in Lyons, which unfortunately got destroyed in the flood.   

How do you go about creating a song?

Makenzie - Every song is definitely different.  Like it is its own little being. Lately what we have been doing is someone will come up with a basis of it and bring it to someone else.  Like hey here is this. Usually, two people will come together. We have been doing a lot of collaborating like Matt, or Andrew or Silas will bring me something and be like I have this idea and it is these certain parts, write some words for it. It's really fun, it’s freeing.  It is really helpful to widen your personal perspective on music, because you are working off of something that someone else wrote. So it is a nice broadening of your own ideas.

Andrew - I think it is case by case when it comes to where ideas come from.  A lot of times I will have a bass melody and have some chords. Just trying to pass it on.  Here try this out. Can you improve it? A lot of tunes have happened that way. Sometimes it is more specific.  A lot of times I will want to hear tunes… Well, there are definitely arranged parts in them. It takes some working through to figure out what works for instrumentation.  And to figure out if it is a good idea or bad idea. It is a lot of trial and error of just testing out stuff between us.

Do you have any future songs or albums in the works that are going to be released?

Makenzie - Ya we are going to be releasing an album this spring, so ya.  In March. We recorded Silo Sound Studio with Tim Carbone. It was Kickstarter funded so we appreciate to all of those people who helped out.  It has been a really fun album. A Lot of in-studio kinda stuff. We just got the masters yesterday so we were listening to them. It is definitely a more produced album.  It has been really fun to be like “Let’s add this here” and “let's do these crazy harmonies there”. Usually, we are a one take and that's what you get. Last week we went up to this studio, called Mountain Star Studio, it is up in Rollinsville, kinda close to our house.  They record straight to tape. So it was fun to do the exact opposite because they record to tape. So literally only one take and that's what you get. So that was really fun. So we did two tracks there that we will probably release at some point. It was an 8 track tape.  It was literally straight to tape and then they turn it into digital after. Ya so in the Spring look out for that. It is called Sticks and Stones

 

So you guys have a management company and a manager.   How is it working with a manager and what are the benefits?  Are they enabling you to focus on your music while they worry about the scheduling and booking?

Makenzie - It is awesome.  We don’t have to worry about that kind of stuff.  Because that is half of the battle, when you are becoming a musician, is the business side of it.  When you are an artist you don't want to have to think about that stuff.

 

Silas - It is also hard to promote yourself self righteously.  Like saying “hey this is my band and we are so great, you should hire us.”  Having a separate party to do that for you is very helpful.

These [next] questions are more individual.  

 

Were there any particular artists that inspired you to pursue the mandolin?

 

Silas - I started out by playing the guitar.  I had a musical upbringing. Then I really drove away from bluegrass I was brought up around.  I got into electric guitar. It sort of started out there. Then transitioned back over to acoustic guitar and now mandolin which I am playing now. Some of my bigger influences have been Adam Steffey and Chris Keely.  Some of those guys who are just great bluegrass players. I would like to sort of expand past that genre with my own playing too. So take influences from all sorts of things like Jazz.

 

How do you push yourself to that next level?

 

Silas - Oh man, just practice.  It’s constantly a battle. It's constantly a cycle of getting beat down and then being re-inspired to do even better.  

Matt, your bass playing adds a lively bounce and rhythm to the music.  You guys don't have percussion and it seems like in a way you fill that rhythmic section.  How do you as a bass player elevate yourself to that next level, how do you improve? Was there anyone who guided you along the way?  Maybe your grandpa?

 

Matt - Well, unfortunately, my dad is really old and my grandfather was very old.  I honestly started playing music right as my grandfather died. Which sucks because I play a lot of swing which is the stuff that he played.  I would say the biggest influences on bass have been Chris Wood, Jimmy Blanton, Gareth Sayers.

 

Matt - What did you ask again?

 

(Other band members’ laughter)

 

Matt - Ok, Ok,  I am really hungry.  I can't think. I like the first part of the question that you asked.  Because I had a realization last week when we were playing. There was this band before us that was really good.  Their rhythm was really tight actually but they didn't have a bass player. And they are a string band. It made me realize how much rhythm the bass adds in this certain sense.  It was really all there. Their rhythm was really good but because they never have that bass to be like “this is where the beat is”. It just kinda never really moved people, I noticed.  I think it moved them, but didn't push them to move. Where it really hits them…

I like watching interviews with really old bass players because they always have really amazing things to say and it is really funny.  I was watching this interview with Milt Hinton, who is the most recorded Jazz musician ever. He is on like 9,000 recordings. Now, he is this like 90-year-old guy.  He is playing some bass line. I like to play it like this. I like to people to know, this is where the beat is. And that is what I am trying to do lately. Like this is where it is. Be more definite on the rhythm.  

 

Well, Makenzie, I don't know how long ago you started playing vocals, so I would be interested to know that first of all. Your vocals seem to drive some of the songs and lead the direction for everyone else.  You all make great space for each other but how did you become such a strong vocalist and so quickly and was there anyone who guided you along your path?

Makenzie - Oh man, you never really think about this kinda stuff with yourself because you are always looking forward.  Well, I loved singing Disney songs as a kid. Well, I still do. Ha! I still sing Disney songs. Singing has always been in my life but I didn't play an instrument until I was 18.  So I was a little older when I picked up an instrument and had any form training. So singing has always been in my life but I just wasn't really out there with it. It was a hidden, very personal thing to me.  So that was something. Coming out of that shell and connecting with the people in the audience. The voice is such a connection that we have to other people.  That is something I really love about singing. That is something I really aim for.  Trying to have that conversation with the crowd, as if you are in the room with one other person.  You kind of take them than somewhere else with that.  It is really this very personal thing that you kind of have to give your all to.  It is really hard to do that. I think that's why I didn't start playing music until I was older because to me it was such a personal thing.  So I guess that is what I aim for and what I look for in my own vocals when I am listening back. Could you understand what I was saying? Did it sound like I am speaking or connecting?  It is really just about connection to me. You get a lot of that from old folk singers like Joan Baez. The ones who really sat down and told you a story. I just love that old stuff. I am really into Edith Piaf.  Even though it is in French, she has a lot of English stuff too, but she has this old sound to her voice. I think it is so timeless. I am just really digging that right now.

 

[Andrew] you told me that you recently got a strap.  Does that change the way you are playing? Does it enable you to run around onstage as opposed to being locked into one corner? [Also]

It just seems that your cello adds a depth to the music.  The melodies that you choose to play seem to create a different direction or depth. Can you speak to the way you play and anyone who has influenced you along the way?

 

Andrew - So ya.  First, the strap is kinda new.  It’s way fun. It is called a ‘Block Strap’.  So shout out to Mike Block. He is an inspirational cello player to me.  He invented the strap system. It lines up really nice. It feels natural.  You get it in this spot and it is just like you are sitting down but it follows you around like a baby strapped to your chest.  It [takes] a little bit of adjusting. If it is not set up just perfect some stretches are a bit hard to get but if you get it set up right, no problem at all. So maybe it adds a little difficulty but it is twice the fun.  So it is a good tradeoff, I think.

 

Andrew - As far as cello adding depth, it definitely does.  It is kinda that midrange that you don't really hear in sting band setups very often.  Which makes it kinda difficult to find the part sometimes, because you don't want to step on someone else.  Ya, it is like an extra dimension. Now that I am so used to it. When I go back and listen to a bunch of string bands now I feel like it is lacking something.  But that is just me personally.

 

Andrew - But as far as influences…  Crooked Still, a great band. They are still playing a little bit.  Rushad Eggleston, is one of the players Tristan Clarridge are both fantastic players.  Natalie Haas. It is really a small club of non-traditional cello players but I really appreciate what they are doing.  

 

Can you talk about your first live performance, any fears that you experienced and how you overcame that?

 

Silas - Ya I fall into a pretty unique realm, with my dad being a musician.  He would bring me up on stage when I was extremely young before I could even play an instrument.  He would just leave it up there plugged in. So I could just go up there and stand there with the instrument.   Not making any sound out anything. I think it helped me feel natural on stage and get past that whole thing before I even got into music.  So once I did, there wasn't a whole lot to overcome. I will say that whole fear factor thing definitely, in some ways makes you play better though.  Knowing that really amazing musicians are there and you look up to a lot will definitely make you play better and push you.

 

Matt - I had a funny first… Besides playing in school concerts and stuff, I am not going to count that. My first personal music concert.  I remember I was playing electric guitar. I was super excited. I think it was a talent contest at my school. I was so excited to play. I was so pumped.  We were playing one song. It was the classic thing where the curtain comes up. I think there were three electric guitars and a bass. It was probably really shitty.  My amp, it just didn't work! It just didn't work! Honestly… Seriously, as the curtain went down and we finished the song, my amp… Baaa the amp turned on. I just remember I was so furious!  I could not even talk to anyone. I just remember my mom saying “don’t worry, you will always remember that your first concert was… the worst. It will be a good story”. I am finally getting to tell it, I am glad.

 

Makenzie - Oh, man I don't think I have a good first concert story. Mine was at one of those farmer markets, down in my town.  It was just me and this girl playing music together.

 

Were you nervous?

 

Oh, god. I get nervous now.  Even still.

 

How do you overcome it?

 

Makenzie -  Well… (Alcohol, muttered from the background).  Haha, you cant tell the children that! But really that is one way.  I do have a drink before I go on stage. I don't know, I guess I just try to forget about it.  Practicing! We practice before we play and every time we do that we are tighter and feel better.  That is something especially with acoustic instruments, when you plug them in, the whole world is different.  If you can play a few songs, acoustic, and remember that that's how it sounds, and it sounds great! When you get up there it can sound all crazy.  You hear something different than the crowd is hearing. And then you just reassure yourself that it's all good. Warming up for sure. That's half the battle is getting up there and doing it!  It's awesome when you do, and when you let loose!

 

Andrew -  Wow, Devotchka is awesome.  Just for the listeners, we are listening to them soundcheck right now and they are amazing.  Ya, my first time on stage… The first band I played with was a traditional bluegrass string band.  I played Mandolin. The first time I met them, it was a Jam at a festival and they pulled me on stage that night too.  It was cool because it was just a bunch of hippies. A bunch of young hippies. I was like ooh, wow. I can play bluegrass to young hippies and they are going to love it.  

 

This is along the same lines as the previous question, and you may have already answered this.  Do you have any interesting, strange, or odd pre-performance rituals?

Makenzie -  I like to stretch sometimes.  That helps me feel better. Definitely, as a girl, I just like getting ready.  It makes me feel better when I leave the house and I have done something slightly with my hair and it is not like I just rolled out of the bed.  Although on tour it gets hard because eventually, I do just roll out of the bus to go play a show. Just having a moment to myself is one thing I like.  I really like to collect myself, no matter what has happened that day. Then when you go in front of the audience, you really have the responsibility to them to give them your energy.  If your energy is all crazy and out there it is nice to do some breathing exercises before going on.

 

Matt -  Probably the one weird thing I like… I don't always do it but sometimes I do.  it is a little trick I learned from Jaco Pastorius. Supposedly every show he would have a bucket of fried chicken backstage.  You just eat some before you play and it gets all over your fingers. It feels really nice on the bass… I don’t think it would work for a mandolin because you are holding a pick. But because you are just using your fingers it gets on the bass strings.  It is almost like a lubrication. A bass lubrication system. A B.L.S., that is what a bucket of chicken is.

 

Silas - I mostly have a bunch of certain picking exercises I do to warm up, just to get the fingers moving and wrists lose.  That's about it. Smoke a lot of pot. Ya, scales. Also a lot of picking technique, just the right hand, to loosen up.

 

Do you have any advice for a band starting out today?  Would you encourage a band starting today to get a manager?  Or is it practice, again and again? What advice would you give?

Silas -  I feel that in the end, it is the music that prevails.  There are a lot of bands that do make it through social media but the best ones that have a sustaining audience I feel like have solid music and a unique thing.  So I would say just finding yourself and your own sound and exploring that as much as possible before you even get into the business side. Becoming as passionate about music for your own reasons.  

 

Matt-  I would say I have two pieces of advice.  First play as much as you can. Find some buddies and just get weird with it.  I mean that is how I started. Jamming for hours with our eyes closed. That is how I found myself.  But I think this band is a little more refined, which is good. I think you need to go through that first stage though.  Secondly, if you want to be a touring musician, make sure that you don't really hate being in cars. Honestly, that's one of the things I didn't realize that like 60% driving.  Everything is work but if you are not the type of person that doesn't want to be in the car a lot it is probably not going to work out. At least a touring musician. You could be a studio musician I suppose.  

 

Makenzie - It is so interesting to be asked that because I still feel like we are such a beginner band too.  But you always feel that way with your own growth. You always kinda feel like you are only just getting it now.  My advice is to not worry about it and just play. Play out as much as you can and the management thing is nice. We call him “Mom” because he takes care of everything.  So it allows you to just focus on the music and not have to worry. I mean the times we have to worry about getting people to a show and all this. It gives you so much weird anxiety.  To not have to worry about that stuff is awesome. Ya, about the car thing… You spend… That's the thing with finding people to play with too. I mean you spend a lot of time with each other in a very small space.  I have definitely learned more than I have ever learned, just being in a band, and not just about music. It's been awesome. I recommend it.

 

Andrew - ya, music is fun.  I would tell you that the first thing is work on your music.  Try not to suck as much as possible. Try to be unique too though.  A lot of bands will get in the cycle of trying to imitate their heroes.  Which is nice for learning. But if you are making an act you can't really do that.  Well, you can but it is hard to say how far that will go. Sometimes it does, you never know.  Having a good singer too. Tim Carbone said to us… a few steps to success is to have good songs, a good singer, and there was something else too.  But that was probably the most important thing. Oh ya, and be really fuckin lucky. Ya having a manager too. We got lucky that we had management and representation early on.  Well, we first started with our buddy Kiam. It was his first time managing a band and then we got Ryan in there and it was his first time doing it too. So I recommend...

 

Makenzie - Find a friend who really gets along and who is business oriented and minded.  

 

Andrew - Ya,  If you have a friend who is really O.C.D., can write lists, and type emails, and wants to party a lot, he is the man.  Just be like hey dude, do you have much going on? Do you want a side hobby for a little while? Make a few bucks and then eventually you will make a lot more.  So ya, if you have a friend, get him involved. Get him to manage for you. I love our manager!

 

Where can our listeners keep up with your tour schedule and your latest releases and learn more about Gipsy Moon.

 

Makenzie -  Facebook is honestly the best.  Facebook and Instagram. Facebook.com/GipsyMoonBand Instagram.com/GipsyMoonBand on each of those.  Also our website. We keep that updated.  GipsyMoonBand.com  So, ya those are the best places.  Facebook you will kinda get a more personal view of us whereas the website is a little bit more formal.  

 

Well, thank you Gipsy Moon, for sharing your knowledge and sharing your time.  I am really excited to publish this and thank you again for your time.

 

Thank you, we really appreciate it.  

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Filed Under: Acoustic, Bluegrass, Blues, Boulder, Cello, Classical, Colorado, EARTH, English (US), Experimental, FM, FMP, Folk, Free Style, Guitar, Gypsy, Instrumentation, Interviews, Jamgrass, Jazz, Language, Mandolin, Musicians, NewGrass, North America, Podcasts, Stand-Up-Bass, USA, Vocals, World Tagged With: Band, boulder, Colorado, freio, Freio Music Podcast, FreioMusic, FreioMusic Podcast, Gipsy, Gipsy Moon, gypsy, interview, Moon, Music, Musician, Musicians, Podcast

Shambhala Festival – BC, Canada

March 30, 2018 By Michael Morahan Leave a Comment

Shambhala Music Festival’s Headliners are Released!


Shambhala Music Festival announces The Glitch Mob And REZZ as headliners for the 21st annual festival.  If you are at all considering making the trek to BC (British Columbia, Canada) for this fest, this video will certainly sell you on the adventure.

Watch and Enjoy!

 

What you need to know:

The Festival Website

How to buy a ticket

 

 

More info about the festival

After celebrating the historic two decade mark last year, Shambhala Music Festival is excited to return to the immaculate Salmo River Ranch in British Columbia, Canada on August 10-13, 2018 for the 21st annual edition. Taking place on a breathtaking family-run farm, festival-goers will have the chance to experience the best of what nature has to offer throughout four blissful days while witnessing hundreds of artists across six unique stages that are individually curated and run by their own stage directors.

To kick things off on the music front, the Shambhala family is pleased to announce their first confirmed headliners for the 2018 edition: Canadian DJ and record producer REZZ and pioneering bass music trio The Glitch Mob. This is just a small taste of what’s to come with the full lineup to be announced soon, which will bring performers from around the world in genres like dubstep, drum and bass, glitch-hop, house, hip-hop, trap, future bass and much more to Salmo River Ranch.

REZZ, affectionately known by her fans as “Space Mom,” started DJing at 16 and soon after developed the confidence to begin producing her own originals. It wasn’t long until she caught the attention of Skrillex and soon after released a project on his OWSLA imprint. From there, her rise in the EDM industry was meteoric as she released several projects on deadmau5’s label mau5trap, including her debut album. The Shambhala veteran recently announced that her second album is also in the works.

The Glitch Mob—comprised of ediT, Ooah, and Boreta—have been pushing the limits of electronic music since their inception in 2006. Meeting at an underground Burning Man party in Los Angeles, the three instantly kindled a creative chemistry that has led to an illustrious career with multiple albums and one of the most beloved live shows in dance music. The trio has announced their third album will be dropping on May 4th, and also recently released the first single entitled “How Could This Be Wrong.”

Shambhala began in 1998 as a grassroots gathering of 500 people on founder Jimmy Bundschuh’s family farm in an evergreen forest beneath breathtaking mountains, and has since grown overtime primarily by word-of-mouth thanks to past patrons and artists. Shambhala’s home has continued to evolve over the past two decades with a focus on infrastructure that ensures a healthy and sustainable environment.

The Shambhala team is currently working hard to prepare for the upcoming festival, carefully curating every aspect of the festival to maximize the attendee experience. Paired with their double-headliner announcement, Shambhala has also released is a stunning festival trailer to get attendees hyped. The video can be viewed here and will give viewers a taste of the unique Shambhala experience.

That’s not the only thing to get excited about though, as the festival has also launched “The Ultimate Shambhala Music Festival Experience Contest.” This will include flights, accommodations, tickets, merch, food vouchers, a stay at the Savoy Hotel in Nelson and much more. The contest is now live on their Facebook, and two lucky winners will be chosen to win this exciting contest.

General admission tickets are currently on sale and can be purchased here. High-end camping packages are offered in addition to some other accommodation packages for those traveling from afar. Carpool options and additional travel information is available on the Shambhala website.

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Filed Under: Break Beat, British Columbia, Canada, EDM, Electronic, Electronica, Funk, Genre, Glitch, Glitch-hop, Gypsy, House, Jamtronic, North America, Shambhala, Techno, Trance, Trip Hop Tagged With: BC, British Columbia, Canada, Festival, freio, Freio Music, fresh, Glitch, Mob, Music, Ranch, REZZ, River, Salmo, Salmo River Ranch, Shambhala, The, The Glitch Mob

Countdown: 7 Days – Arise Music Festival 2015

July 31, 2015 By FreioMusic Leave a Comment

Its official, there are only 7 days left to buy your tickets to Arise Music Festival without missing a beat!  If you are like us, you are trying to squeeze in as much entertainment into your summer as your wallet can buy and your boss will allow, listen up.  Ticket prices increase August 1st, so act now and buy your tickets here.  To find out more info about who is playing, the daily schedule and driving directions: click here.  If you have already attended the festival in past years please leave your impressions of the festival below in the comments. A quick festival check list for you is below. Add any items we may have missed in the comments below.

When:

August 7-9th. (Early camping for 3day pass holders starts the 6th at 4pm.


What to bring:

Water bottle
Camping equipment: sleeping bag & tent (or a snuggly friend)
Artistic clothes, instruments, structures, face paint, and
Hat & sunscreen
Warm and cold clothes (day and night).
*If you plan for bad weather you will have a blast regardless what nature throws at you; so bring that rain coat!
Food, Money, and Snacks
Friends
A positive attitude, a large lasting smile and a camera for those special moments.

Arise Music Festival is truly one of a kind. In the state of Colorado, there has never been a comparable event. Arise will take place again at the extraordinarily beautiful and welcoming Sunrise Ranch, just outside of Loveland, Colorado.   The location is spectacular and the festival has improved every year since its inception.  With new amenities, artists, and attractions this year is poised to be the best Arise Festival yet.  Colorado’s flourishing artistic community will be present and your arrival will be icing on the cake. We hope to see you there!

For more information, keep on reading ~ . . .

The 2015 installment of theARISE Music Festival is set to kick off on August 7-9 at the scenic Sunrise Ranch in Loveland, CO.

The three-day camping event will feature headlining performances with Edward Sharpe and the Magnetic Zeros, The Polish Ambassador, Emanicpator Ensemble, Joe Russo’s Almost Dead, Ozomatli, Trevor Hall, Rising Appalachia alongside over 100 live performances across 6 stages.

The ARISE Music Festival first came to life at the picturesque Sunrise Ranch just west of the town of Loveland, CO in the summer of 2013 — bringing forth a full-bodied, innovative festival experience with a tangible uplifting vibe.  While the two main stages and the electronic zone will always be the ARISE Festival’s primary attractions, the 3-day gathering is also filled with yoga classes, health-oriented workshops, celebrity and environmentally active presenters, along with a children’s village and parades each day.

Much more than just a concert experience, ARISE offers an array of interactivedaytime activities, camping opportunities and a vending village that showcases a bohemian-style specialty coffee shop with a full espresso bar, unique craft vendors, delicious organic and natural food vendors and trucks, and unique goods from around the world.

At every twist and turn, ARISE offers a visual feast for the eyes and an experience for the senses. As roving puppeteers, stilt walkers, large-scale art installations and live painters dot the valley, it is clear that the annual ARISE Festival devotes as much energy into showcasing varied art forms as it does it’s main attraction…live music. Arise Alive Studios

Taking a peek under the proverbial hood of the festival one might find that ARISE Festival’s mechanics are grounded in conscious environmental ethics. Located on an organic farm with over 100 acres of festival grounds, ARISE puts a considerable amount of effort into greening up the “leave no trace” event by implementing high standards of sustainability practices and environmental stewardship. Local event service provider ZERO HERO empowers attendees with the knowledge and systems needed to easily recycle and compost and divert waste. The event also prides itself in providing FREE drinking water to festival attendees, choosing not to allow the sale of water in plastic bottles, and encouraging festival-goers to bring their refillable water bottles. ARISE has also aligned with Fort Collins-based non-profit Trees Water & People to plant a tree for every ticket sold.

For music fans interested in sustainable gardening techniques, The Polish Ambassador will host a Permaculture Action Day at Sunrise Ranch on Thursday, August 6th. The Action Day includes earth-based, hands-on projects and educational techniques in the study of permaculture design. For those who want to dive deeper, The Polish Ambassador also be hosting an Intensive Permaculture Course in the 3 days leading up to the festival at Sunrise Ranch. The course is a comprehensive program that will take students through the permaculture design process; touching on soils, water, forest gardening, appropriate technology, and several other aspects of whole systems design. With a focus on catalyzing social transformation, intensive attendees will learn techniques for regenerating ecology, as well as explore community building through action-oriented organizing. The Intensive Permaculture Course will only be available to 30 preregistered guests and will be an additional cost for participants. (Details for the Action Day can be found here).

Perhaps one of things that makes ARISE stand out from most of the other festivals in Colorado’s vibrant music scene is a commitment to book distinct artists covering diverse musical genres that brings a richly well-rounded approach to live entertainment.  Day and night, festival goers can enjoy over 100 live bands at any of the six stages or just take in the pristine views from one of the onsite bars or beer gardens.

2015 highlights include daily playshop sessions with featured artists along with a rousing discussion on engagement in social issues with Alex Ebert (Edward Sharpe and the Magnetic Zeros) and Josh Fox (award winning writer/director of HBO’s Gasland documentary films).

The festival will run from August 7-9 at Sunrise Ranch in Loveland CO, just over an hour from Denver, 45 minutes from Boulder and less that 25 minutes from Fort Collins, in the Colorado Foothills. A full range of upgrade options including VIP passes, Early Camping, Car Camping and Day Passes are available on the event website.

It is also worth noting that ARISE Music Festival is a family friendly event, with free tickets for children 12 and under and half priced Youth Tickets for 13-17 year olds.For the full music line-up and schedule, and to purchase tickets check out www.AriseFestival.com.

Filed Under: Acoustic, AfroBeat, Alternative, Arise 2015, ASL (American Sign Language), Bluegrass, Break Beat, Colorado, Drum-&-Bass, Dub, EDM, Electronic, Electronica, English (US), Festival, Funk, Glitch-hop, Gypsy, Indie, Instrumental, Jamtronic, Language, Live Music, Loveland, North America, Reggae, Singer-Songwriter, Soul, Sunrise Ranch, Tribal, Trip Hop, USA, Venues, World Tagged With: 2015, Arise, Arise festival, Arise Music Festival, Colorado, countdown, Festival, freio, FreioMusic, fresh, Loveland, Music, Music Festival, SunRise Ranch

Sonic Bloom Lineup Release

March 19, 2015 By Molly Buckiewicz Leave a Comment

 

“SONIC BLOOM is Colorado’s best electronic music festival”

 

SB Lineup Poster v2.0 web

 

In case you have missed the last 9 years, this festival has had time to brew and its mix of flavorous sounds seem to be just right this year.  Drum roll… The lineup for the 10th annual Sonic Bloom festival….. headliners STS9 (2 sets), Shpongle (Simon Posford DJ set), Emancipator, The Trancident, Talib Kweli, Random Rab, Phutureprimitive and many more.

 

4

 

On stage will be a legendary collaboration session called the SONIC BLOOM SuperJam featuring Dave Watts, Garrett Sayers, Joey Porter, Jans Ingber, Ryan Jalbert, Gabriel Mervine, Matt Pitts, Jason Hann (& more TBA). Additional acts include: Caspa, Manic Focus, Rob Garza (Thievery Corporation), ill-esha, Yamn, Nominus, LYNX, The Malah, saQi and Adham Shaikh, to name a few. The 10th annual festival SONIC BLOOM will be held during the Summer Solstice the weekend of June 18-21, 2015, at a gorgeous new location: Hummingbird Ranch in Rye, Colorado.

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Dates for The Road to SONIC BLOOM have been announced. This is the second year of The Road to SONIC BLOOM tour, which will send a roving lineup of present, past and future SONIC BLOOM, Sonic Blossom and The Unified Field performers across the country to spread the BLOOM vibe. A combination of wildly varied lineup of DJs, producers, live electronic acts, with painters, dancers and performance artists will criss-cross the country this spring as we approach the summer festival. See a full list of dates and cities below.

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SONIC BLOOM has also announced The Unified Field, the official SONIC BLOOM pre-party, a 2-night dual-venue indoor mini-fest that will happen in Denver, CO, on April 24 & 25 at Cervantes’ Masterpiece Ballroom & The Other Side. This year’s artists include Thriftworks, Dirtwire ft. David Satori from Beats Antique, Andreilien, That 1 Guy, Fort Knox Five and more. Limited advance early-bloomer pre-sales for The Unified Field are now on sale for only $30 (while they last).

 

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4-Day General Passes include entry into the festival on Thursday, free on-site camping and free drinking water all weekend. VIP 4-Day Passes, parking passes, limited car camping passes and RV passes are also now on sale.

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For more information on SONIC BLOOM, please visit the official website: www.sonicbloomfestival.com.

Some music to get you ready for the best four days of your life!

 

Road to SONIC BLOOM Dates:

 

3.20 – Chicago, IL – Copernicus Center

4.11 – Seattle, WA – Columbia City Theater

4.15 – Santa Cruz, CA – Motiv Nightclub

4.25 – Denver, CO – Cervantes Ballroom

5.2 – Wappinger Falls, NY – Chapel of Sacred Mirrors

5.7 – Newark, NJ – Seed Gallery

5.8 – Boston, MA – The Middle East

5.9 – New York, NY – Slake

5.20 – Asheville, NC – Asheville Music Hall

Filed Under: Abstract, Colorado, Denver, Drum-&-Bass, Dub, Dubstep, EARTH, Electronic, Electronica, Experimental, Glitch, Gypsy, Jamtronic, New Music, North America, USA Tagged With: #NOMINUS, #SAQI, #THE MALAH, #YAMN, 2015, Adham Shaikh, Andreilien, Beats Antique, Bloom, Caspa, Cervantes, Colorado, Dave Watts, Denver, Festival, freio, fresh, Gabriel Mervine, Garrett Sayers, ill-esha, Jans Ingber, Jason Hann, Joey Porter, lineup, LYNX, Manic Focus, Matt Pitts, Music, Phuture Primitive, Pre-party, Rob Garza, Ryan Jalbert, Sonic, Sonic Bloom, Sound Tribe Sector 9, sts9, Thievery Corporation, Thriftworks, Unified Field

Envision 2015 Announces 1st Wave Artists

November 13, 2014 By Molly Buckiewicz Leave a Comment

Lineup - Phase 1

 

The International Envision Festival-Costa Rica announces first installment of their lineup for their 5th annual festival from Feb 26 – March 1, 2015.  

The first headliner announcement for the 5th annual Envision Festival-Costa Rica is here. This year’s lineup includes Groundation, Phaeleh, The Polish Ambassador, Wildlight, Emancipator, Ott, Bluetech, Random Rab, Govinda, Ill-Esha, Dimond-Saints, Stickybirds, AMB, Ayla Nereo, and saQi, with Costa Rican reggae headliner Un Rojo and Guatemala’s Los Miseria Cumbia Band. There are more acts listed below and many more to be announced!

Envision Festival-Costa Rica takes place in the enchanting jungle of Uvita, Costa Rica from February 26- March 1, 2015 and is a favorite destination for international travelers with dozens of international music and performance acts, yoga, workshops, waterfalls, surfing, jungle exploration and more.

An early peek at the yoga and workshop headliners include world-renowned yoga teachers such as Cristi Cristensen, Rachel Brathen, and Kishan Shah, art installations by Chris Dyer, Carey Thompson, and Mugwort Artemisia alongside Permaculture and Education workshops from legendary teachers such as Penny Livingston, Daniel Pinchbeck from Reality Sandwich, Charles Eisenstien, Sarah Wu, plus permaculturist and Envision co-founder, Stephen Brooks.

The full lineup of musicians, performers, teachers, and artists will be announced mid-November.

Check out the newly launched Envision website with interactive site map, early line-up, survival guide, and travel information. Then take a peek into the Envision mystique and be inspired by this newly released “Vive La Experiencia!” video.

Envision’s unique gathering offers so much for the adventurous travelers.  Dance under the stars, paddle into the surf, explore waterfalls and lush canopies, camp in the jungle, be inspired by live art installations, and learn something new at a life changing workshop.

With the collaboration of a myriad of renowned artists and visionaries, both local and international, Envision provides a multi-dimensional community forum focused on art, music, movement, education and co-creation.  Be part of a global eco-conscious movement that is shaping our future and experience the beauty of the landscape, healing undertones, artistic expression, and the “Pura Vida!” way of life.  This is Envision Festival.

Stay tuned for more announcements on music, yoga, speakers, and workshops. Early Bird discount tickets are on sale now and will sell out quickly.

Please visit the Envision website and links below to find out more.  Pura Vida!

http://www.2015.envisionfestival.com/

 

Envision Media Links:

Envision Instagram

Envision Facebook

Envision Website

Envision Ticketing

Envision Travel Info

Envision Newsletter

 

Phase 1 Lineup Below – Phase 2 coming soon!

 

Music: The Polish Ambassador * Wildlight * Groundation * Phaeleh * Emancipator * Ott * Bluetech * Random Rab and friends * Ayla Nereo * Govinda * Ill-esha * Dimond Saints * Faceblind * Los Miseria Cumbia Band * Un Rojo * saQi * AMB * Stickybuds * Santos y Zurdo * Passiflora * Infibeat * Ivan Cespedes * Lapa * Portilla * Living Light * Mikey Lion * Melissa O * Social Club * Bartosz Brenes * Mario Miranda* Tara Brooks *  Matt Haze* PjOE * aTyYa *

 

Yoga Instruction: Cristi Cristensen * Rachel Brathen * Kishan Shah * Esteban Salazar * Juan Pablo Barahona * Edgar Ortiz * Inez Aires

 

Art & Installations: Chris Dyer * Carey Thompson * Mugwort Artemisia * Mark Henson * Hoodie & Tigre * Tribe13 * Living Spaces

 

Permaculture & Education: Penny Livingston * Charles Eisenstien * Sarah Wu * Stephen Brooks * Daniel Pinchbeck * Rosemary Gladstar * Project Nuevo Mundo * Kaypacha

 

About Envision Festival-Costa Rica:

In just four years, Envision has blossomed from a backyard event into an internationally acclaimed community gathering.  Envision is continuing its journey to break down cultural barriers, representing an elevated festival experience of spirit and community.  By bringing people together in the lush landscape of Costa Rica, Envision offers opportunities to celebrate the spirit, heal our bodies and minds, and revitalize our souls. Be a part of a global movement that is destined to shape our global future while experiencing the beauty of the landscape, healing undertones, artistic expression, and the “Pura Vida!” way of life.  This is Envision Festival.

 

The Confluence

 

[soundcloud url=”https://api.soundcloud.com/playlists/59577470″ params=”auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true” width=”100%” height=”450″ iframe=”true” /]

Filed Under: Break Beat, Central America, Costa Rica, Drum-&-Bass, Dub, Dubstep, EARTH, Easy Listening, Electronic, English (US), Envision, Experimental, Festival, Glitch-hop, Gypsy, Live Music, New Music, Spanish, Trance, Tribal, Trip Hop, World Tagged With: #LIVING LIGHT, #SAQI, #THE POLISH AMBASSADOR, #WILDLIGHT, About, aTyYa, Awakening, Ayla Nero, Bluetech, Central America, Community, Costa Rica, diamond saints, Discount Tickets, Emancipator, Enlightening, Envision, Envision Festival, Festival, freio, FreioMusic, fresh, gathering, Govinda, Groundation, ill-esha, Jungle, Los Miseria Cumbia band, Music, Ott, Passiflora, Phaelea, Pura Vida, Random Rab, Santos Y Zurdo, Stephen Brooks, stickybuds, Un Rojo, Vive La Experiencia, Waterfalls, Workshops, Yoga

Arise 2014 Video

October 14, 2014 By FreioMusic Leave a Comment

Official FreioMusic Arise Festival 2014 Video

Arise Festival 2014 in Loveland, Colorado. Freio Music’s talented team captures the cultural gathering with energy with style. Arise Festival features artists from across the musical spectrum. Share it. Enjoy it. See you next year!

Credits:
Produced by Freio Music

Directed by Joe Morahan & Daniel “Buddy” Thomas

DP by Daniel “Buddy” Thomas
Editing by Daniel “Buddy” Thomas

Time-Lapse Photography by
Melissa Harrison, Isaiah ‘Scott’ Brown, & Michael Morahan

Music by
Polish Ambassador

Arise Festival At SunRise Ranch

Filed Under: 12 String Guitar, Acoustic, AfroBeat, Alternative, Ambient, Arise 2014, Banjo, Bass Guitar, Bluegrass, Blues, Break Beat, Cello, Colorado, Concert Reports, Deep House, Digital Instruments, Djembe, Drum Pad, Drum-&-Bass, Drums Set (acoustic), Dub, Dubstep, EARTH, Easy Listening, EDM, Electronic, Electronica, English (US), Experimental, Festival, Folk, Funk, Genre, Glitch, Glitch-hop, Guitar, Gypsy, Hip Hop, Horns, House, Instrumental, Instrumentation, Jamtronic, Jamtronica, Jazz, Keyboard, Laptop, Latin Jazz, Live Music, Loop Pedal, Mandolin, Minimal, NewGrass, Percussion, Political, Reggae, Sax, Slide Guitar, Stand-Up-Bass, Techno, Trance, Tribal, Trip Hop, Trumpet, Venues, Violin, Visualizer / Visual Artists, Vocals, World, xylophone Tagged With: Arise, arise2014, colorad0, Festival, freio, FreioMusic, morahan visuals, Music, party time, sober raver, Video

Arise Festival 2014 in Photos

September 7, 2014 By Sober_Raver Leave a Comment

Filed Under: Abstract, Acoustic, AfroBeat, Ambient, Arise 2014, Banjo, Bass Guitar, Bluegrass, Cello, Colorado, Concert Reports, Digital Instruments, Djembe, Drum Pad, Drums Set (acoustic), EARTH, Easy Listening, EDM, Electronic, Electronica, English (US), Experimental, Festival, Folk, Free Style, Funk, Genre, Glitch-hop, Guitar, Gypsy, Hip Hop, Horns, House, Instrumental, Instrumentation, Jamtronic, Jazz, Keyboard, Language, Laptop, Latin Jazz, Live Music, Loop Pedal, Loveland, Mandolin, New Music, North America, Percussion, Political, Reggae, Sax, Slide Guitar, Spanish, Stand-Up-Bass, Sunrise Ranch, Techno, Trance, Tribal, Trip Hop, Trumpet, USA, Venues, Violin, Visualizer / Visual Artists, Vocals, World, xylophone Tagged With: 2014, Arise, arise 2014, Arise Festival 2014, Arise Photos 2014, Co, Colorado, Festival, FreioMusic, FreioMusic Photography, fresh, Infrared, Loveland, Photo, Photography, Photos, SunRise Ranch

Top 5 Moments of Unexpected Sonic Perfection at Sonic Bloom ’14

July 8, 2014 By Hari Khalsa 1 Comment

Sonic Bloom 2014-American Safari Ranch

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Daytime at the CO Dome

My favorite part about music festivals is discovering new artists to incorporate into my daily repertoire of jams. While I was beyond stoked for some of my highly anticipated favorites like Opiuo, the reigning king of future funk, Kalya Scintilla’s sweaty tribal inspired bass, or Tipper’s careful dissection and rearrangement of the contents of my brain with the scratching mastery of a surgeon, these were all very predictable (and immensely enjoyed) highlights of my weekend. My most authentic musical experiences of Sonic Bloom came from the unexpected sets and unfamiliar artists that I have not had the chance to fully explore and appreciate. Whether the artists were newer cats on the scene or seasoned veterans to which I simply hadn’t yet been exposed, I came back from Bloom with an inspired and expanded understanding of some of the dopest jams to ever rattle my eardrums.

1. Mr. Bill

Okay, Mr. Bill is certainly no newcomer on the scene. Prior to Bloom I was familiar with Mr. Bill’s status as a veteran of the rich Australian glitch movement. My expectations were absolutely blown out of the water after, what was easily, my favorite set of the weekend. Late Sunday night in the middle of the dusty and heavy vibin’ coDome audience, I found myself wondering how something so unconventionally melodic can get a crowd moving so hard. Mr. Bill’s heavy bass lines, break beat switches and a cornucopia of strange tunes and tones meld together into an unpredictably perfect stew of glitch perfection.

Mr. Bill will be holding down the Souls Rising EDM stage at Arise Music Festival August 8-10th this year in Loveland, CO for what will surely be another set not to miss.

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2. The Librarian

I took a leap of faith on Friday night as we left Tipper’s downtempo set in search of something to get my booty shaking a bit more. We encountered what I quickly realized to be one of the baddest bitches of bass, Andrea Graham, throwing down a super sexy low-end set that had me floating on a cloud of sweet, sweet ghetto booty bass. The Librarian’s nuanced, sexy bass stood out from the overtly raw and in your face bass that tends to dominate the scene. Her riddim inspired jams and seriously hard drops that got the crowd moving for one of the greatest booty bass grooves of the weekend.

The Librarian is also a founding organizer of Bass Coast and will be playing this August 1-4th in Merritt, British Columbia.

 

3. Sixis

If you know me, you know that I am a serious sucker for smooth psychedelic dubby sounds that seem more likely to be alien transmissions than creations from the human kind. When I cruised over to Sixis’s midday Friday set, I didn’t know much about his music and was just looking for a solid warm-up for the stacked schedule with the future glitch goodness of kLL sMTH, Fort Knox Five and then onto the highly anticipated psychedelic trance-inspired Aussie master Whitebear. But when I got to the dusty coDome, I was totally blown away by Sixis’s melodic, spacious and layered sounds. In an increasingly saturated psy-bass scene, Sixis stood out with his consciously more minimal, understated approach to interplanetary auditory travel. Sixis created intricate, imaginative soundscapes that resonated in my ears for the rest of the weekend.

Up next, Sixis will be playing at Stilldream Festival in Belden, California July 31st- August 4th.

4. Defunk

If you don’t know of Defunk yet, you better educate yourself! Canada native Defunk dropped one of the funkiest sets of the weekend for a serious dance party in the coDome late Saturday afternoon. Addicting hooks, glitchy breaks, and inspired retro influences drive his music in a future forward way. Collaborations with soulful female vocalists and looping guitarist Sam Klass gives Defunk’s glitchy tunes a sense of soulful authenticity.

Catch Defunk at the Valhalla Sound Circus this Thursday, July 3rd in Quebec.

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5. The Malah

Live electronic artists The Malah brought their A-game to wrap up the first evening of Bloom in a most epic fashion. Intricate, precise guitar licks and organic high-energy rhythms create a driven sound that got the coDome moving and grooving along properly. I thought their jam-inspired approach was a refreshing addition to Bloom’s bass heavy lineup, and by the infectious buzz from the crowd on Thursday night I’m certain they all agreed.

The Malah doesn’t have any immediate shows coming up but the Denver-local band is surely not one to miss when they come through your town.

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Filed Under: AfroBeat, Break Beat, Colorado, Concert Reports, Denver, Drum-&-Bass, Dubstep, EARTH, EDM, Electronic, English (US), Experimental, Festival, Glitch, Glitch-hop, Gypsy, House, Instrumental, Instrumentation, Jamtronic, Live Music, Lo-Fi, New Music, North America, Sonic Bloom, Sonic Bloom 2014, Trance, Tribal, Trip Hop, USA, World Tagged With: #CRUNK, #DEFUNK, #MR.BILL, #THE LIBRARIAN, #THE MALAH, #TIPPER, 2014, Bloom, Bloom 14, EDM, freio, FreioMusic, Sixis, Sonic, Sonic Bloom 2014, Souls Rising, Top 5, Unexpected Crunk

Sonic Bloom 2014

June 29, 2014 By Molly Buckiewicz 1 Comment

 The Unified Field

 

The 9th annual Sonic Bloom music festival took place over the weekend of July 19-22nd in the airy high desert of South Park, Colorado. The site, fully encompassed by the Rocky Mountains, created a beautiful backdrop of breathtaking sunrises and sunsets that lit up the numerous stages.

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As usual, Bloom offered a plethora of experiences for every attendee. Music was continuously playing at various stages with the highest quality of sound. Workshops covering hooping, massage, dance, yoga, and many others were available and well attended. Outstanding visuals met the eye everywhere you looked, ready to be soaked in and admired, whether it be a performance, installation, or projection.

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 The weekend had much to offer, but you would have to have been a super human to experience it all!

Here are some highlights from throughout the weekend.

1. TWO nights of Tipper!! (not enough)
2. The Three Stages
–The Bloom Stage with the Funktion-One sound system and the massive LED screen backdrop.
–The Hummingbird Stage with the spinning woodcut mandala and unique handcrafted details.
–The CO Dome with its intimate feel and psychedelic projections by Illuminated Dimensions.
3.Surprise sunrise set by Kalya Scintilla and Kaminanda with an epic pink sunrise.
4. OPIOU.
5. Whitebear making everything so dark and weird at only 7PM, when the sun was still shining.
6. Kaminanda playing guitar live for the first and only time in Colorado, then busting out a cover of Grateful Dead-Shakedown Street.
7. The captivating “flower-dance-presentations” by Anthony Ward all weekend.
8. The Gong Experience that vibrates into your soul.
9. Quixotic’s unbelievably talented performers.
10. Looking around and realizing you love everyone and everything you are surrounded by!

Filed Under: Abstract, Acoustic, Alternative, Ambient, Bass Guitar, Blues, Break Beat, Colorado, Concert Reports, Deep House, Drum-&-Bass, Dub, Dubstep, EARTH, Easy Listening, EDM, Electronic, Electronica, English (US), Experimental, Festival, Free Style, Funk, gallery, Genre, Glitch, Glitch-hop, Gypsy, Hip Hop, Horns, House, Instrumental, Instrumentation, Jamtronic, Jamtronica, Keyboard, Language, Live Music, New Music, North America, Orchestral, Rap, Sax, Singer-Songwriter, Sitar, Techno, Trance, Tribal, Trip Hop, USA, World Tagged With: #SONICBLOOM2014, 2014, Colorado, Festival, freio, FreioMusic, sonicbloom, spotlight

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